This is a place I drop images and words of things that interest me. Photography by me unless otherwise noted.
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nevver:

Stephanie Tillman
nevver:

Stephanie Tillman
nevver:

Stephanie Tillman
intothecontinuum:

Mathematica code:
Tile[k_, rx_, ry_, x_, y_, r_] := Table[  Translate[   Rotate[    {AbsoluteThickness[k],     Circle[{i, i}, {rx, ry}, {i*Pi, Pi/2 + i*Pi}]},    r, {.5, .5}],   {x, y}],  {i, 0, 1, 1}]rr[Q_] := (SeedRandom[Q]; RandomReal[])GCOS[k_, rx1_, rx2_, ry1_, ry2_, X_, Y_, Q_, t_] := Graphics[  Table[    Tile[k,        .75 + .25 Cos[2 Pi*Mod[rx1 + rx2*x/X + t, 1]],        .75 + .25 Cos[2 Pi*Mod[ry1 + ry2*y/Y + t, 1]],        x, y, Floor[3*rr[Q*x*y]] Pi/2],   {x, 1, X, 1}, {y, 1, Y, 1}],  ImageSize -> 500, PlotRange -> {{1, X + 1}, {1, Y + 1}}]Manipulate[   GCOS[2, .5, .5, .5, .5, 30, 42, 4, t],{t, .05, 1, .05}]
vintagegal:

Debbie Harry photographed by Lynn Goldsmith
AW13 w/ Lady Amanda Harlech

Eyes Without a Face, 1960
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“There was only one Saul Bass. He was a gentleman, a brilliant raconteur, a marvelous collaborator and, as I’ve said before, a truly great artist. And – let’s be honest – a giant.” — Martin Scorsese  “Saul Bass wasn’t just an artist who contributed to the first several minutes of some of the greatest movies in history; in my opinion his body of work qualifies him as one of the best film makers of this, or any other time.”— Steven Spielberg  “Bass fashioned title sequences into an art, creating in some cases, like Vertigo, a mini-film within a film. His graphic compositions in movement function as a prologue to the movie – setting the tone, providing the mood and foreshadowing the action.” — Martin Scorsese

“There was only one Saul Bass. He was a gentleman, a brilliant raconteur, a marvelous collaborator and, as I’ve said before, a truly great artist. And – let’s be honest – a giant.” — Martin Scorsese  “Saul Bass wasn’t just an artist who contributed to the first several minutes of some of the greatest movies in history; in my opinion his body of work qualifies him as one of the best film makers of this, or any other time.”— Steven Spielberg  “Bass fashioned title sequences into an art, creating in some cases, like Vertigo, a mini-film within a film. His graphic compositions in movement function as a prologue to the movie – setting the tone, providing the mood and foreshadowing the action.” — Martin Scorsese

“There was only one Saul Bass. He was a gentleman, a brilliant raconteur, a marvelous collaborator and, as I’ve said before, a truly great artist. And – let’s be honest – a giant.” — Martin Scorsese  “Saul Bass wasn’t just an artist who contributed to the first several minutes of some of the greatest movies in history; in my opinion his body of work qualifies him as one of the best film makers of this, or any other time.”— Steven Spielberg  “Bass fashioned title sequences into an art, creating in some cases, like Vertigo, a mini-film within a film. His graphic compositions in movement function as a prologue to the movie – setting the tone, providing the mood and foreshadowing the action.” — Martin Scorsese
revidyagianina:

BE FREE, NOT CHEAP